About Us
En Garde Post was founded in Febuary 2020 with a vision in mind - to be one of the best, go-to post-production houses in Singapore for our home-grown filmmakers. We want to be able to cover all the bases of the post-production pipeline, even those that take place before shooting starts, from the original conceptualization and production planning, to the day you bring your raw footage to us to start the edit, all the way to the final deliverables. We want to be able to handle just about any kind of filmmaking project, from independent short films, to television and online shows, all the way to theatrical feature films!
Our post-production workflow has been developed over many years of looking at various other workflows in many traditional production and post-production houses first hand, and learning what works and doesn’t work. We also have the added experience of working in post-production for the rising boom of online content creators, and we have also learnt from their own unique post workflow that has it’s differences from the traditional ones. We consolidate all these experiences from both of these fields and thereafter develop our own optimal setup and workflow that combines the best of both worlds, that will allow us to ensure that the technical aspects of post-production are as hassle-free as possible so that we can fully focus on the creative.
Without further ado, here are some things you may want to know about our founder…
Javin Ye
Founder/Head of Post-Production
Javin Ye has worked as a video editor in the television production industry since 2014. A graduate of Singapore Media Academy’s WSQ Diploma in Film and Television (Production) in 2016, and Nanyang Polytechnic’s Diploma in Digital Media Design (Animation) in 2012, as well as having taken the Craft Editing short course and Sound Design workshop at the National Film and Television School in the UK, some of his most notable edit work are Silent Walls 密宅 (2023), Lion Mums Season 4 (2021) and Our Makan Places Lost and Found Season 6 (2018), and the Discovery Channel/Hunan TV reality show, The Day I Ran China Season 1 (2019). He has also worked as an assistant editor for “Asia’s Got Talent Season 2” in 2017.
In 2019, he made his directorial, writing and producing debut with his ciNE65 2019 short film entry, “Through the Lens”, which was also submitted and nominated for the Viddsee “Audience Choice Award” category. He returned to the directing and producing chair again when he wrote, directed and produced the ciNE65 2021 short film entry, “Waiting for You“, a silent short film about the struggles of a long-distance relationship during the COVID-19 pandemic. Most recently, his work on the Silent Walls 密宅 Sizzle Reel has clinched the 2023 Asian Academy Creative Awards’ National Winner for Best Promo or Trailer.